Our Values

OUR PROCESS

Center our work in movement, community, and change.  

  • Work towards a future where dance-making, dancing, and dance-viewing are sustainable, approachable, and accessible.

  • Collaborative processes that engage artists committed to the investigation of social consciousness through movement and sound.  

  • Artistic process is informed by our bodies: specific physicalities, perspectives, and identities.  Each time a work is performed, it is re-invented in small and large ways by the bodies of the observers and participants.  

  • Take risks; be thoughtful and still make room for experimentation and failure.  

  • Think creatively about space and relationships: Where can dance happen? Who can we partner with? How can we share resources?  

  • Work locally and build relationships with folks around and through our work.  

  • Deepen and expand our roots in the intergenerational community we have been sharing our work with over the last decade. 

  • Connect with whole families by creating environments that are inclusive of children through free admission, matinee performances, and a lack of tension around their attendance.  Inviting children into the adult world offers rich multigenerational shared experiences, instills a value for art, and lays the groundwork for cultural experiences they can continue to grow into, rather than out of.  

  • Create work that makes space for the audience to process, shape, and discover meaning through their bodies.  

Anti-Oppressive Framework

  • Horizontal, non-hierarchical, collaboration 

  • Indefinite stream of conversations and asking questions 

    • Stay engaged with anti-racism, anti-oppression questions and frameworks

    • Stay engaged with personal reflections and examination of our aesthetics, our work, our process, and the organization

  • Dance practices that move us forward in a more equitable way 

  • Deepen our understanding of our privilege as a predominantly white organization and how to be conscious of and redistribute that privilege and work towards dismantling white-body supremacy

Self-care & Community Care

  • The opposite of complacency - Listening to our always shifting bodies. Be aware of our capacity.  Trust each others’ choices.

  • If we are pushing ourselves beyond comfort, it is an intentional and personal decision 

  • Maintain thoughtfulness for artists around food, location, transportation, bathrooms (mutual aid)

Continually Evolving Collaborative Structures 

  • Artistic Collaborators Chloe, Harlee, Marisa, and Katherine  

    • Consensus decision making around programming and finances 

    • Making space and taking space 

    • All four of us are art makers

    • Determine together how, when, and if to invite additional collaborators for projects, expand our collaborative group

      • Individual projects can be guided by one person’s vision or collective visioning 

  • Administrative Collaboration 

    • Artistic Director, Katherine and Financial Coordinator, Marisa

    • Acknowledge this is in place from our founder driven roots 

    • Open to and creating space for change 

    • Acknowledge that change requires restructuring, expanding and sharing knowledge, interest from collaborators and most likely reapproaching and increasing our budget 

  • Board of Advisors 

    • Provide feedback and perspective

    • Support Artistic Collaborators in being accountable to our mission and our values

    • Everyone weighs in, but not a vote, advisors not approvers 

    • All four Artistic Collaborators attend Board of Advisor meetings 

Financial Transparency 

What is an equitable budget?  

We have been thinking about this for a while and believe that is not a single solution to arrive into, but a question to ask and respond to each time we budget.  

Here’s what it looks like for The Naked Stark in 12021:

  • Prioritize our artistic collaborators.  

    • Together we laid out a mix of hourly compensation and project compensation, that meets the needs of the artists, scope of the project, and projected available funds.  

    • Hourly rehearsal rate $15 hr, performance rate $75 a show

    • 80% of our budget goes directly to artists (76% for artistic collaboration and 4% administrative collaboration)

  • 5% to support Philadelphia dance equity work. 

    • This money will go towards ongoing projects in Philadelphia working to repair harm and advocate for equity.

  • Katherine Kiefer Stark’s time is an in-kind contribution.  

    • “I am middle class with financial stability through my husband, who works for Clorox and has excellent health insurance, and through my own work as adjunct faculty at Widener University.” -- KKS

    • Although our decision making process is collaborative, this is still a founder driven organization.  Katherine is open to and creating space for change and change is a slow process that requires restructuring, expanding and sharing knowledge, interest from collaborators and re-approaching and increasing our budget.  

 

Current Collaborators

 
Photo: Jen Kertis, What’s in a name?

Photo: Jen Kertis, What’s in a name?

katherine kiefer stark

Movement Artist / Artistic Director

I am a Philadelphia-based dance-artist, educator and founder of The Naked Stark. As a white, cis-woman, middle-class, heterosexual, Jewish, married, mother-of-two, many of my identities are privileged. I have questions and hurts from the current societal oppressive structure(s). Modern dance is how I make sense of the world and the medium through which I process and share my experiences. My dance works emerge from my questions, concerns, and discomforts. The folks that I collaborate with join in the questioning, add new perspectives and challenges, and help shape the work. I am continually working towards a process that truly embodies my values and pushes forward the questions and concepts I am investigating.
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Amalia colon-nava

Movement Artist

Amalia is a farmer and multi-disciplinary artist that loves to move. She has many years of education in contemporary dance styles, partner dances, improvisation and dance making. She welcomes and deeply experiences the change of seasons both literally and metaphorically when balancing land work and artistic practice.

 

Photo: Joy Ike

Marcie Mamura

Movement Artist

Marcie Mamura (she/they) is an artist, mover, maker, educator, collaborator, community member and researcher. She is from popcorn and passionfruit. Currently based in Philadelphia, her teaching history includes Dream Camp, ArtWell, Asian Arts Initiative, Camp Sojourner Girls’ Leadership Camp, Drexel University, Muhlenberg College and Spiral Q. Marcie’s creative and coordinating work arcs across fields and is informed by intentional circles, embodied knowledge and integrated practices. She currently engages the intersections of health, humanities and the arts as Humanities Education Coordinator at Thomas Jefferson University. Marcie earned a BA in Theater & Dance from Kansas State University and an MFA in Dance from the University of Oregon. They are a founding member of TRANSForm Dance Collective and an independent artist who values collaboration and expanded ways of being in our world.

 

aubrey donisch

Managing Coordinator

I am a teaching artist, dancer, and supporter of artistic visions from Minneapolis, MN. I graduated from my childhood bedroom with a BA in dance and sociology from Bryn Mawr College--I recycled all my papers and that was that! In my wearing of several hats in the dance world, I strive to approach dance making with a foundation of accessibility, centered in care and community.

Photo: Sophie Malin

Photo: Sophie Malin

Harlee Trautman

Movement Artist / Financial Coordinator

I am a movement artist and sculptor currently residing in Philadelphia, PA, after time spent in Southern Louisiana where I received my BFA in Sculpture. Since arriving to Philadelphia, I have had the opportunity to work professionally with The Naked Stark, Asya Zlatina & Dancers, Opera Philadelphia, and Archedream for Humankind. My most recent creations have been showcased at the Iron Factory (Philadelphia), Tattooed Mom's (Philadelphia), Grounds for Sculpture (Hamilton, NJ), as well as on display at the Philadelphia International Airport's D terminal.

 
Photo: Gabriel Bienczycki

Photo: Gabriel Bienczycki

Chloe Marie

Movement Artist

Chloe Marie is a multi-disciplinary artist based on Lenni Lenape land that is Philadelphia. Chloe went to the San Diego School of creative and performing arts- where she worked with Donald McKayle, and Christopher Huggins. During this time Chloe also performed works by Ana Sokolow, Limon repertoire. Chloe moved to Philadelphia in 2013 to attend The University of the Arts, and received her BFA in 2017. During her time there she worked with Kyle and Dinita Clark, Curt Haworth, Doug Varone, Netta Yerushalmy, and Jesse Zaritt. Since graduating, Chloe has been a freelance performer working with many local Philadelphia artists, and has shown works in New York, Pittsburg, and Maine.


Meredith stapleton

Movement Artist

Meredith Stapleton, MFA recipient in Dance/Choreography from the University of Iowa, is a Philadelphia-based dance artist, yoga teacher, doula and childbirth educator. Meredith currently teaches yoga at Temple University, and has taught in dance at Muhlenberg College, Swarthmore College, and The University of Iowa, as well as Koresh School of Dance and Philadelphia Dance Academy. Meredith is also the Member Coordinator and an Artist In Residence at Mascher Space Cooperative where she maintains a solo dance practice, collaborates with Emie Hughes, and organizes community gatherings. Meredith has engaged in freelance performance projects in Philadelphia since 2013, including for DanceSpora, The Naked Stark, Megan Flynn Dance Company, and Shannon Murphy.

 

Recently we’ve also worked with

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Andy Thierauf

Percussionist

Andy Thierauf is a Philadelphia-based percussionist who specializes in the creation and performance of contemporary music. His creative research centers on seamlessly integrating technology into performance to produce collaborative, multimedia presentations with writers, dancers, actors, choreographers, and composers. Andy teaches at Settlement Music School and is an adjunct professor of percussion at Kutztown University.

A native of Cincinnati, OH, Andy received his B.M. from the University of Cincinnati College-Conservatory of Music and M.M. from The Ohio State University.  Andy received the D.M.A. degree in percussion performance and pedagogy at The University of Iowa under the direction of Dan Moore.

Learn more

 
Photo: Daniel Mezick

Photo: Daniel Mezick

Marisa illingworth

Marisa Illingworth is a dance artist based in Philadelphia. She has a BFA in dance from The University of the Arts where she performed works by people she hopes sound familiar to you so that you think she’s a good dancer. She’s danced in lots of venues around Philadelphia and for a handful of artists since graduating. Marisa currently dances with the Naked Stark and with the Dark Moon collective, both groups of people who share her values around authentic, non-hierarchical, politically conscious art making. She can still do splits on both sides.

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Ajibola Rivers

Cellist

Ajibola Rivers is a Nigerian-American cellist from Lafayette Hill, PA. He received his cello performance degree from the Boyer College of Music and Dance in 2016. While much of his training is traditional, in high school he taught himself how to swing, improvise, and play by ear, equipping himself to learn music from many genres in communities across the United States and around the world. He is also a self-taught writer, applying instincts developed from his music experience to composing, arranging, and songwriting, and prose. What defines Ajibola the most is his sense of purpose and his determination to fulfill that purpose. In his own words: “As a creative artist, I have a social responsibility to explore, invent, and discover ways to unite worlds through my every medium.” He lives up this expectation everyday by sharing and teaching his love of art and culture with artists and audiences from all walks of life.

Learn more

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Sean Thomas Boyt

Sean Thomas Boyt is a dancemaker, dancer, and dance advocate based out of Iowa City, Iowa. Currently, they are working toward a Master of Fine Arts in Dance with an emphasis on Choreography at the University of Iowa. Having recently lived in Philadelphia, They danced for The Naked Stark, Nora Gibson Contemporary Ballet, Vervet Dance, and Anne-Marie Mulgrew & Dancers Company; collaborated with percussionist Dr. Andy Thierauf as stb x at (awarded artist in residence at Soundspace 1525); and worked on projects with Dana Powers-Klooster, Lauren Linder, Lyons and Tigers, Esther Baker-Tarpaga, Ballet 180, Antonia & Artists, SKI BALL, Meredith Stapleton, and Kat J. Sullivan.

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Board of Advisors

 
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Katie Parry

Katie Parry has a MFA from Tyler University and a BA from Kenyon College in Ohio. She is an artist and teacher living in West Philadelphia. She spends her time designing arts curriculum, teaching, and making collaborative animations. She is drawn to things that move because light has moved through them, or pushed up against them, or warmed their faces.

Listen to her story

Learn more

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Lynn Major

Parent; Bilingual educator.
Musician; Nature & Art appreciator.
Relationship builder & maintainer (Spouse; Sister; Daughter; Aunt; Niece; Grandniece; Cousin; Friend; Neighbor; Colleague; Teammate).
Yogi; Wordsmith; Rabblerouser...
Human of many trades / interests.
Believer that the “Hokey Pokey” may actually be what it’s all about.

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Stefan Ellis

Stefan Ellis has been honored to support The Naked Stark as a board member since 2019. He currently lives in West Philadelphia with a loving partner and two tolerant cats.

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The naked Stark, organization history / biography

The Naked Stark, with incredible support from our community, intermittent small grants, and support from the Philadelphia Cultural Fund, engages in a regular creative process, and has self-produced full-length works, mixed-bill programs featuring our work as well as other artists / companies, release-based movement practice, and workshops.  In addition, The Naked Stark’s programs have been presented along the East Coast and in Chicago by organizations including Mascher Space Cooperative (12019, 12018, 12012), Philadelphia Museum of Art (12019), Capital Fringe (12016), University City District (12015), First Person Arts Festival (12013), and FringeArts (12012). The Naked Stark’s work has been supported by grants including the Philadelphia Cultural Fund (12014, 12015, 12017-19, 12020-23), FringeArts (12012), and the University City District (12015). 

Since our founding in 12010, we have created for full-length works, Goodnight War (12012), The Importance of Normal (12013), Visible Structures (12018), and Actor and The Leading Lady: Falling Up (12019) and several shorter works including Looking for Judy (12012), What’s in a Name? (12018), and Falling into Here (12019).  

Looking for Judy choreographer and The Naked Stark founder, Katherine Kiefer Stark, received peer recognition with a 12012 Rocky Award, a peer-to-peer award for outstanding achievement in the greater Philadelphia dance community for Looking for Judy.  The DC Theater Scene found The Importance of Normal (First Person Arts, RAW Philadelphia 12013 & DC Capital Fringe 12016) to be a "...quietly powerful performance...The piece feels weird and experimental but also relatable and beautiful..."

thINKingdance describes Visible Structures (Mascher Space Cooperative 12018) as an engrossing mash-up of interactive games and aggressive choreographed competitions… Stark challenges us to see the dynamics of power shaped by historic narrative, social conventions, and our own unselfconscious playfulness.

We explored our work in public spaces in a self-designed traveling residency across Western, PA June 12019, with public performances in Punxsutawney, PA organized by their Chamber of Commerce.  We deepened our investigations of our questions around the manifestations of white supremacy on ourselves and the field of dance through a two day intensive of workshops we facilitated for each other, outside in August 12020.  

We created and presented A Series of Informal Events, (12017, 12018, 12019).  Modeled after the old FringeArts ScratchNight series, our free series features 2-3 artists sharing 10-25 minutes of work, with each work followed by a discussion.  Spring 12019, we collaborated with Shannon Murphy, guest curator, and Vox Populi, venue.  In all, we presented 15 Philadelphia movement-artists and our own  in-progress material.  

With the support from the PCF we presented four artists in Necessary Efforts (12014) in the Philadelphia Fringe.  We self-produced The One, The Other One, & The Many The Naked Stark presented the mixeThe Naked Stark co-produced One Space, Three Dances (12011) and Collapse Intersect (12013) in the Philadelphia Fringe.  

Every spring in West Philadelphia we host Meet The Naked Stark, our annual friendraiser / fundraiser, where we gather people together around our work and generate support.  It is an event like none we have encountered anywhere else.  It’s hard to describe the joyful energy of adults and children each in their own orbits - adults wine in hand, chatting, visiting the silent auction table, kids racing around the activity room with childcare volunteers - all coming together each time the performing begins (usually twice during the two hours).  This community event keeps steadily growing each year, from about 30 in 12012 to 99 in 12019! 

Since September 12020, The Naked Stark collaborators, Chloe Marie Newton, Harlee Trautman, Katherine Kiefer Stark, and Marisa Illingworth, with loving and supportive guidance from board members Katie Parry, Lynn Major, and Stefan Ellis, have been working together in parks and online developing a deeper collaborative process and finding clarity around our shared values as an organization.  We are ready to make art!  Our new project in the backyard of the University City Arts League, where The Naked Stark is an Artist-in-Residence, will begin with an interactive installation in the month of April and culminate in livestream performance May 15 and 16, 12021.